After seeing Tommy Wiseau’s The Room in Cleveland a few months ago, I was sure it reached a new benchmark in bad film-making. Not only is it steeped in horrendous acting, baffling dialogue, fleeting plot points and characters, awkward sex scenes, a grossly unappealing leading man, and suspiciously plentiful assertions of heterosexuality, but, adding to the humor, Wiseau tried to save face by selling it as a black comedy.
Then, I saw Birdemic: Shock and Terror.
Completed in 2008, but not released until this year, Birdemic is the latest “Best Worst” movie gaining a cult following on the indie theater midnight movie circuit. Generously described (with intentional humor) in the Moviehead press release as a “Romantic Thriller,” the first 40 minutes painstakingly detail the reunion of high school classmates who start dating. It almost like watching one of those movies from high school language lab that teach conversational French. And it’s followed by another 40 minutes painstakingly detailing the new young couple’s mostly pointless attempts to escape a sudden attack by a mob of crazy ass birds. And there’s still the 10 minute finale where the heroes collect to watch the birds, which seem stuck in mid-air.
And all while pushing a serious political agenda!
Brazenly submitted for the Sundance Film Festival in 2009 (although let’s face it, they do show a fair amount pretentious shit there), it was not surprisingly rejected. Aside from trying to make a movie out of two halves of a half-developed whole, coupled with the usual flaws that make these movies so comical (bad acting, loose logic, and bizarre dialogue, etc.), Birdemic demonstrates a new level of technical ignorance. Reaction and establishing shots are done to death. Scenes filmed in noisy locations muffle conversations several times. Shots that look like the mistaken start of a dream sequence. My particular favorite was the stock photo in the news report about melting glaciers in the Arctic that was obscured by the Ghetty Images watermark. But above all else, Birdemic takes the cake for worst special effects which are truly so awful, they’ll leave you speechless. And how do you create an atmosphere of destruction and avionic terror on a mere budget of $10 grand? Why, animated GIFs! Except, most of the time, it seems as though the flying terrors are both harmless and impervious to threat, as though all people needed to do was settle for the fact that birds will now occasionally hover above them because they’re angry about pollution.
Hey, it’s a small price to pay for messing up the environment!
Filed under: after the 90s, comedy, commentary, cult flicks and obscure picks, indie, monsters and motherships | Tagged: alan bagh, apocalypse now, best worst movie, birdemic, e street cinema, hitchcock, inconvenient truth, James Nguyen, moviehead, resurrection, Sequel, severin, Severin Films, Shock and Terror, the birds, the room, tippi hedren, tommy, trailer, troll 2, troma, whitney moore, wiseau | 1 Comment »